In recent twitter post. Ievgenii Larin wrote:
“If you want to grasp the Magnetic Timeline, open Premiere, put a stereo audio clip into a sequence and try to change stereo to dual mono.”
So I did. 🙂
In recent twitter post. Ievgenii Larin wrote:
“If you want to grasp the Magnetic Timeline, open Premiere, put a stereo audio clip into a sequence and try to change stereo to dual mono.”
So I did. 🙂
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Deep Thoughts about FCP X, and why you should be using it.
Good demo, but what does it have to do with magnetic timeline?
It seems that the complexity is not inherently due to tracks, more like simply poor user interface and design
Yes and no… In Pr and other apps that use tracks, an interleaved stereo file converted to dual Mono requires an additional track. Yes, the Pr audio config is clunky, but even if it was one click as in FCP X, you’d still need another track to be created, the current clip to be replaced with one mono half, and the other new mono half cut into the new track. With no tracks none of that needs to happen. Change the config and you’re done
Makes sense… I just seem to recall that it was pretty easy in FCP7 too
Yeah, it was, but FCP 7 didn’t have stereo tracks. Everything on the TL was dual Mono, Either linked and panned L/R or unlinked and panned center. To change stereo to Dual Mono you just unlinked the channels. One click just like X. 🙂