Hi there. This is a little blog about FCP X. “The internet is full of blogs about FCP X” you say. “Why bother?” Well, this one comes from the perspective of the tiny world of (generally) offline movie trailer editing in Hollywood. And it’s specifically aimed at those folks who use the discontinued version of FCP and need to eventually switch to another NLE. And especially at those who have heard, mostly from people who don’t use it, that FCP X isn’t any good. If you’re bored, check out the original It Doesn’t Suck post to see where I’m coming from. In any case, I just thought I’d add my opinions and experiences to the 800 billion others out there. Also, I am selfish. I Like FCP X 😛
The new Essential Graphics Panel in Premiere is a welcome addition, and is being compared to FCP X’s Motion Templates.
While I’m sure that – like FCP X – 3’rd parties will make some cool stuff, let’s take a quick look at the stock titles in Premiere vs the stock templates in FCP X.
Again, this is only the standard titles included in each app from the factory.
I’ve been working on a cut in FCP X of which I need a working copy in Premiere. So, after a quick run through X to CC, and a not so quick couple hours of cleaning up the FCP 6 XML mess and re-doing the mix, I had it back together.
I used the same Fx Factory effect in both, but had to match an FCP X Look Effect using Lumetri, and export a few speed ramped/retimed audio clips because, well… just because. (I’m trying to be nice here!)
Anyway, leaving aside the fact that the the workflow, ease of use, effects application, compositing results and audio quality are markedly better in one of the 2 (guess which one! 😉) it ended up more or less the same. Here’s the question though…
Which of these 2 would you rather look at all day, every day? I mean really… 🙂
Finally! This is something that probably everybody knows, but it’s been driving me crazy for years. “It” is the fact that, if you have multiple Projects open in the Timeline, sometimes they just “randomly” disappear from the Timeline History.
Say I have Projects 1, 2, 3 ,4 ,5 and 6 open. I work on each, open a new one, attempt to go forward to another and… half of them are now gone from the History. Why?!?! Well… here’s why, and it’s really simple.
When you open any Project, it becomes the last thing in your history. So, if you have Projects 1, 2, 3 ,4 ,5 and 6 open, are working on Project 3, and then open a new project (Project 7), Projects 4, 5, and 6 are now gone and 7 is now the last Project in the History.
So, now that I know this… if I want to open a new project and keep my History intact, I just go to the last project in the History, and then open the new Project. Easy.
There’s a catch though….
When you open a Compound Clip from a Project Timeline, the Compound Clip becomes the last thing in your history. So, If I want to open a CC from Project 3, and keep 4, 5, 6, and 7 in the History, I go to the Browser and double click Project 3 which then makes it the last thing opened and moves it to the end of the History. So I now have Projects 1, 2, 4, 5, 6, 7, 3 and a CC as my history. Out of order, but all still in the History.
Anyhow… hope you find this helpful, I sure did.
I was looking for a little gimmick to use at the end, and I found that there’s a built in “Leaves” wipe in FCP X. It was almost perfect, but needed one, tiny adjustment. 🙂 After a few minutes of messing around, the Weed-Wipe was born.
Now, I don’t condone or encourage any activity that may be implied by this effect, or by the movie, but click the gif below if you’d like your very own copy! (30 MB)
This was done start to finish in FCP X by the way. the titles were done in After Effects, but everything else; transitions, compositing, CALM Act compliant mix, mastering, was all FCP X.
For the gear-heads who may care, I used a Coremelt C2 transition and Slice-X with Color Finale, FCP Effects Whip Pans, KingLuma Radiance, Rampant 4k Smoke Overlays, Klangfruend LUFS Meter and of course, The Weed Wipe!
I had a question about using Roles to make multiple versions from a single project recently. As I wrote a post about it a while ago, I referred the questioner to that. And, while copying the link, I decide to re-read it. It is very vague and was done before the big 10.3 update. So…
I’ve made a little video that – in my usual rambling semi-coherent fashion – goes into a little more detail about this process. As usual, if you know how to do this it’s nothing new. But if you don’t really get how Roles and Share Presets work, hopefully this will be of some use.
EDIT: Couple things I was vague about (as usual) I wanted to clear up. First, as pointed out in a comment below, you need to set a default Share Destination so you can use the CMD E shortcut properly. You do this in the Destinations Preference tab. EZ.
The other thing, which I can’t stress enough, is how much simpler and less prone to user error it is to spit versions out of FCP X – Even if the spot was cut in another NLE, or onlined somewhere else. Why? Once your Share Presets are created, all the work is done.
You do need to prepare each Project Timeline with the proper Roles and A/V elements, just as you would with your timelines in any other system. But in X, no matter how many cuts you are exporting, once the sequences are prepped you don’t need to touch them. A few other advantages…
No enabling/disabling video or audio tracks for each export.
No need for duplicate sequences. You can export Stereo Comps and/or Multichannel mixed Stereo and mono Splits from a single timeline.
With multiple cuts, no need to repeat/match/copy/paste all your A/V track assignments and audio configurations for every timeline.
I’m not being facetious here. No matter what NLE you use, if you need to export multiple versions of multiple spots with any regularity, you should be using FCP X to do it.